Exploring the nature of opportunity and unpredictability, my work is interested in challenging the proliferation and immediacy of digital images by using analogue photography and alternative forms of image making. 

 

By crossing the threshold between the seen and unseen, organic and analogue threads of light collect into ambiguous forms upon the photographs, suggestively allowing you to absorb allusions to impossible reconstructions. 

 

My work explores the physical processes of how analogue film can be manipulated by designing and making my own peculiar pinhole cameras, an elementary device which sees and seize without complex mechanics. I am absolutely fascinated by the process of how a simple entity can yield such complex reflections.

 

The reflective nature of my cameras conducts a discovery of the self.  However, my photographs are not to be understood as memories, but rather as moments impressionistically collected upon a single image.